foundations
Ancient Russian shrines
Externally, the sanctuary looked like a real fortress on the high Bank of the Desna: a deep moat, a high horseshoe-shaped rampart and wooden walls (fence?) on the upper edge of the platform. The diameter of the rounded (now triangular) site was about 60 m, i.e. it was equal to the diameter of medium-sized marsh settlements.
The inner structure of the courtyard of the sanctuary-fortress was as follows: along the entire rampart, close to it was built in the Western part of the site a long, curved structure with a width of 6 m. its Length (including the collapsed part) should have been about 60 m. Continue reading
The bride’s corpse: the mystical story of the La Pascualita mannequin
The “great and terrible” Belgian Maestro Jan Fabre won fame with provocative paintings, sculptures, installations and art performances. His work is so shocking that the degree of strangeness can compete with the works of the famous Damien Hirst, but this did not prevent them from showing off in the halls of the Louvre itself, opposite the immortal masterpieces of medieval painters and sculptors. Horns and hooves, bones, blood and internal organs, insects, crosses and tombstones, skeletons, death and other devils – this is a short list of the foundations on which the extraordinary creativity of Jan Fabre is based. Well, and a part of him, of course, – it is also in every, without exception, the work of the Belgian sculptor. Continue reading
A hell of a lot of wax and bronze. Horned self-portraits of Jan Fabre in the sculpture series CHAPTERS I – XVIII
The “great and terrible” Belgian Maestro Jan Fabre won fame with provocative paintings, sculptures, installations and art performances. His work is so shocking that the degree of strangeness can compete with the works of the famous Damien Hirst, but this did not prevent them from showing off in the halls of the Louvre itself, opposite the immortal masterpieces of medieval painters and sculptors. Horns and hooves, bones, blood and internal organs, insects, crosses and tombstones, skeletons, death and other devils – this is a short list of the foundations on which the extraordinary creativity of Jan Fabre is based. Well, and a part of him, of course, – it is also in every, without exception, the work of the Belgian sculptor.
One of the most emotional works is a series of strange mystical sculptures called CHAPTERS I – XVIII. Carefully and carefully, with great love and tenderness, Jan Fabre cast realistic busts in wax and bronze… with his own portrait. Continue reading
